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The VR Critic
The VR Critic
  • LATEST REVIEWS
  • REVIEWS A-Z
  • Top picks
  • About
  • SUBSCRIBE TO NEWSLETTER

THE BEST OF THE BEST

Many excellent experiences are not listed here; this page is reserved for the best of the best – The VR Critic’s coveted “Top Picks.”

Reviews

A Fisherman’s Tale review: surreal and innovative gameplay

This charming puzzle game is built around a very particular central gimmick—like the first-person shooter Superhot and its “bullet time” mechanic. The essence of the latter can be broadly explained by referencing…

by Luke Buckmaster
  • February 26, 2025
Reviews

Batman: Arkham Shadow review – grandly scaled and detailed

Batman: Arkham Shadow swells with the atmospheric and environmental elements we’ve come to expect from depictions of Gotham City: dark lane ways, long shadows, musty corridors, neon lights. This dank and brooding…

by Luke Buckmaster
  • February 27, 2025
Reviews

Battlescar: Punk Was Invented By Girls review – sensorial candy

I love the energy and exuberance of this experience; I love its pluck and sass. The developers of Battlescar: Punk Was Invented By Girls embraced an “everything and the kitchen sink” approach,…

by Luke Buckmaster
  • February 27, 2025
Reviews

Beat Saber review: a Tron-esque boulevard of pulsating neon

Some VR enthusiasts have argued that 360 videos, with their non-navigable environments and limited degrees of freedom, do not qualify as “real” virtual reality. I won’t get into that debate right now,…

by Luke Buckmaster
  • February 27, 2025
Reviews

Dear Angelica review: sublimely mixing art and space

To describe the appeal of virtual reality, it’s sometimes said that you get to go inside the picture. The long-held prominence of the frame—first dominating paintings, then film and television—has accustomed us…

by Luke Buckmaster
  • February 27, 2025
Reviews

Half-Life: Alyx review – the blockbuster that wasn’t

In another reality, Half-Life: Alyx was the blockbuster AAA title that catapulted VR into the gaming mainstream. That didn’t happen, of course, for various reasons that don’t need to be extrapolated here.…

by Luke Buckmaster
  • February 27, 2025
Reviews

Job Simulator review: mundanity infused with charm and levity

A virtual reality experience predicated on simulating workplace environments such as office cubicles and a car garage doesn’t sound like a hoot. But the delightful Job Simulator isn’t interested in lifelike recreations,…

by Luke Buckmaster
  • February 27, 2025
Reviews

Lone Echo 1 and 2 review: grandoise space adventures

I’m a big fan of both Lone Echo games. They’re well crafted and grandiose space adventures, with engaging mechanics and satisfying narratives that scale up, up and away—to the edges of the…

by Luke Buckmaster
  • February 27, 2025
Reviews

Notes on Blindness review: differently perceiving perception

Notes on Blindness was conceived as an immersive companion piece to the 2016 film of the same name, which explores the process of going blind from the very personal perspective of theology…

by Luke Buckmaster
  • February 27, 2025
Reviews

Paper Birds review: a narrative-driven diorama crafted with love

The narrative spine of Paper Birds is formed by the testimony of a young boy who recounts a speculator tale: of parallel alternate worlds, beautiful and haunting; of his missing sister, who…

by Luke Buckmaster
  • February 27, 2025
Reviews

Pearl review: literalising the road of life

I have a big soft spot for Pearl: director Patrick Osborne’s five-and-a-half minute 360 video set entirely inside a car, with us riding shotgun. It might sound cheesy to say that this…

by Luke Buckmaster
  • February 27, 2025
Reviews

Rebels review: triumphantly reinventing animation

Music is a weapon that can be used to fight monstrous robots in Federico Moreno Breser’s short, sweet, very stylish and energetic narrative-driven production, which injects traditional motion picture language with a…

by Luke Buckmaster
  • February 27, 2025
Reviews

Stranger Things review: invigorating outside-the-box storytelling

This highly ambitious production from Tender Claws—a studio with a history in delivering innovative VR works—is the equivalent of a television anthology series, in the sense it’s divided into 11 distinct but…

by Luke Buckmaster
  • February 27, 2025
Reviews

Superhot review: connecting body and time

Much has been made—and rightfully so—about the collapse of the two dimensional viewing experience in virtual reality. One of the medium’s amazing features is this revolution in screen space, placing us “inside”…

by Luke Buckmaster
  • February 27, 2025
Reviews

The Book of Distance review: tenderly personal embodied history

Randall Okita’s tenderly crafted production unfolds like an experiential family photo album or embodied history lesson, exploring the story of his grandfather Yonezo Okita, who migrated to Canada from Japan in the…

by Luke Buckmaster
  • February 27, 2025
Reviews

The Under Presents review: apocalyptically vaudevillian

I love the central setting in The Under Presents: a nightclub on the edge of existence, situated on desert sands in a bizarro alternate universe combining apocalyptic aesthetics with vaudevillian vibes. The…

by Luke Buckmaster
  • February 27, 2025
Reviews

Vertigo 2 review: zanily inventive and quietly revolutionary

I enjoyed the first Vertigo—a zany space adventure in which we play a young woman trying to find her way home, navigating a vast and treacherous alien universe. But the sequel is…

by Luke Buckmaster
  • February 27, 2025
Reviews

Walkabout Mini Golf review: purely, modestly nice

When it comes to explaining the appeal of golf, nobody has said it better than George Costanza: “it’s just nice to be outside in a well landscaped area.” That quote from Seinfeld…

by Luke Buckmaster
  • February 27, 2025
Reviews

Wolves in the Walls review: elegant crafted and emotionally warming

One of the most rudimentary ways to direct attention in VR, where users can turn and face in any direction, is to blacken out space around an intended focus point. It’s pretty…

by Luke Buckmaster
  • May 19, 2024

The VR Critic is Australian critic Dr Luke Buckmaster. This site was launched in February 2025 with 100 reviews—one of the most significant contributions to VR criticism by any individual in history. Read more about the site and its author.

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Recent posts
Bono: Stories of Surrender (immersive) review – returning and defying the frame
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